|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
 |
|
|
"Purity
and conciseness of an environment in which the actors are able to reveal the
complexity and completeness of their artsitic natures. A type of theatre which
most powerfully expresses something so essential to it - the cross point of
energies, of universes, of actor and audience."
Ani Topaldjikova, "Literaturen vestnik", Feb. 2000
|
|
|
|
|
|
Art
by
Yasmina Reza
director
Plamen Markov,
set & costumes Chaika Petrusheva,
music
Assen Avramov
premiere 9 February 2000
|
|
|
|
|
|
|
|
|
|
|
|
|
|
"For
the past ten years theatre audiences have been expecting the meeting of these
two personalities of the stage - Atanas Atanassov and Vlado Penev. And finally
it has happened - at the Little City Theatre "Off the Channel". But there is
a third one in this meeting - Ivan Petrushinov - to be the buffer between the
two. But also to be what makes the picture complete. (...) The actors walk the
most difficult road - to ultimate sincerity, authentic self-irony, complete
self-revealing, to the boundaries of acting - the boundary of giving it up."
Rada Balareva, "Demokratsia", Feb. 2000 |
|
|
 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
"The
absurd is not in the picture. It is in the fact that those who never cease to
"lean" on it argue and turn it into a Frame. The dull shades of white demonstrate
the vulnerability of thinking of ones own limitations. Which has been captured
in a picture - the most outspoken art ever to be created." |
|
|
|
|
 |
|
|
|
 |
PLAMEN
MARKOV
from the programme of the production, Feb. 2000 |
|
|
|
|
|
|
"This
is a play of the type that demands of the director and cast to simply trust
and listen to its unique voice - just like the sculptor - all that one has to
do is get rid of the excessive. Not in the stone, but in one's own self." |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Patricia
Nikolova, "Kultura", March 2000 |
|
|
|
|
|
|
|
|
|
|
 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
