Golemanov – Between Drama and Circus

"The new Golemanov is here! He has take the Little City Theatre over and the intrigue is put together by Hristo Mutafchiev and Marius Kurkinski. His appearance is far from the image established over the years by actor Georgi Kaloyanchev. The current Golemanov at first is even sincere in his desire to help his fatherland. Gradually though his good intentions collapse one by one on his way to his own personal hell. Marius Kurkinski’s version begins with live images from the dramaturgy of the Bulgarian renaissance, goes through Comedia del Arte and the clownade, to end in tragedy. Ilka Zafirova which is supposed to be playing funny grandma Gitzka is in fact quite a sad sight as the revival of "Liberated Bulgaria", Georgi Danchov-Zografina’s lithography from 1879 – with a wooden sword, the coat-of-arms, a cross and a lion."

Albena Atanassova, Standart Daily,
30 March 2004

"Apart from the comedy, Kurkinski clearly sees the tragedy of Golemanov in the fall of the individual while attempting to be "a contemporary Bulgarian man who tries hard to be good, stand high, even higher and highest – beyond the skies…". (…) An excellent performance of vividly comic Hristo Mutafchiev. His Golemanov is at once funny and hideous. And to amplify the grotesque make-belief character of the environment into the quintessence of meaninglessness and the repetition of the same mistakes throughout Bulgarian history, Marius changes the signs. The Golemanov family suddenly replace the traditionally Bulgarian clothing of over 100 years ago with the masquerade attire of Comedia del Arte. (…) "

Patricia Nikolova,
Sega Daily,
1 April 2004

  Golemanov
by St. L. Kostov
director Marius Kurkinsky
set & costumes Petya Stoikova
premiere 26 March 2004


CAST
Hristo Mutafchiev, Svetlana Bonin
Ilka Zafirova, Petar Kalchev
Svetlana Jancheva, Ivan Petruchinov
Emil Kotev, Vladimir Penev
Vassilena Atanasova, Dimiter Dimitrov
Prodan Nonchev, Maya Dragomanska
Stefan Iliev, Iva Dincheva
Alexander Dimov


"Let leave the madness of the state to the history and let we speak in theatre about man."
–Marius Kurkinsky
 
 
Golemanov as an Existential Drama
"This is the first production of "Golemanov" at the Little City Theatre that neither disputes one thing nor adds to another, or else tries to enrich the tradition. Marius Kurkinski has simply abandoned this type of thinking and interpretation and has managed for the first time to reveal "Golemanov" as an existential drama. The political has been turned into metaphysical, profoundly dramatic, clutching man into a total experience of the world, instead of reducing it to domestic "turns and tricks" which "deform" him. Or briefly – Marius Kurkinski reveals the political issues as Baroque theatre wherein all the world is a stage. The curtains rise on one scene after the other only to prove the increasing "human drama". (...) "

Violeta Decheva,
Kultura Weekly,
issue 14/15, 2004